Tag Archives: beige

Desi Roots – Progressive Indian Cuisine

Standard
Desi Roots

Desi Roots

Décor: Desi Roots, a brand new café nestled in Saket, New Delhi is one of the very few restaurants that brought back fond memories of childhood in mind, as I walked in for lunch on a balmy Sunday afternoon. The first instinct was a happy feeling—colours like warm orange, dull beige, bright turquoise, royal violet and more popped out from different corners only to make you feel like you have stepped into a cheerful space. This restaurant has taken ‘quirky’ to a whole new level; the décor proudly flaunts pieces like—a sewing machine turned into a table, almost-vintage Bajaj scooter headlights acting as lamps and more.

Desi Roots

Desi Roots

Also, the chosen interior had strikingly contrasting aesthetics; for instance, a royal chair with bright cherry colour was spotted accompanying a super quirky teapot printed chair. The bar area was mostly radiating pop-culture vibes; vintage posters with an amazing sense of humor was placed on walls facing the arena. My favourite poster was of an Indian lady, precisely from the sixties, sitting with a newspaper in her hand, clad in the most traditional way and waiting to sip some beer from a mug kept in front of her; now this is called ‘chilling like a villain’!

Nehari Kulcha a la Oudh with Salgam and black carrot achar

Nehari Kulcha a la Oudh with Salgam and black carrot achar

Food: The menu captures essences from regional kitchens across the country. This restaurant is on an expedition to revive those long lost desi elements through their food. I ordered quite a few number of dishes from the menu and absolutely traditional ones at that—but I was taken to surprise by the way good-old food was contemporized. Presentation gets full points here and the best part is that the character of the food remained unaltered. Today’s foodie looks for international gastronomical features in every dish that they dig into. Be it a simple Galouti Kebab or a Soda Shikanji—modern way of presenting mouth-watering food has become a major criteria. However, you are not allowed to compromise on the joy your taste buds used to experience when you ate the same dish in its most traditional avatar.

Desi Kurchan Tacos- Pulled Kathal

Desi Kurchan Tacos- Pulled Kathal

I started with the Kasaundi Fish Tikka with Babloo Sauce; delicious, succulent and mildly spicy, these fish cubes were an instant hit. Thereafter, I rejoiced upon some Kulle Chaat—an Old Delhi speciality made with watermelons, boiled potatoes, cucumbers, pomegranates and some secret black masala. Post this, we savoured upon some warm lamb Galawati Pate—this was my favourite starter. Super soft, almost-melting, warm kebab served in a small glass jar was definitely a first. The taste reminded me of lanes from Lucknow, where kebabs are the order of the day and the presentation was simple yet so innovative. For the main course, I started with the traditional Daal Baati Choorma with methaniya chilli salsa. This was followed by Mutton Kuttu with Malabari Poronta and Onion Pachdi—once again a delicious dish. The best part was that, this rich looking curry was not overtly oily; it had a diverse flavour thrown in by a gamut of regional spices. Finally, the last main course comprised of Ambala Cantt Mutton Curry with Tikone Parathe and Kumquat Achaar—it had the perfect desi tadka to it combined with carefully balanced spices and modern culinary practices. I loved every bit of it.

Chipotle Chicken Tikka with Avocado Raita

Chipotle Chicken Tikka with Avocado Raita

Finally, the dessert comprised of Cream Cheese Boondi Brownies and Jamaluddin Ki Kheer from Badal Beg Masjid, Old Delhi. What a delight it was. The first dessert came in a closed glass jar—soft chocolate brownie, warm and moist was blended with cream cheese and boondi; this is perhaps the best example of modern culinary concurrence. And the later made me feel like I had died and gone to dessert heaven. There couldn’t have been a better ending. So foodies and restaurant junkies please visit this place with your friends and family because the food is great, presentation even better and as they say it ‘celebration’ is their middle name!

Western Influences on Indian Fabrics

Standard
Soltee AW15

Soltee AW15

What happens when the European art meets Indian vibrancy? Well, it creates something that is soothing to your eyes and worthy of everyone’s attention. The incredible vases inspire our latest collection. No matter what form they are, they are artful and each one has a story to tell. Inspired by the delicacy, art and class of vases, the House of Soltee by couturier Sulakshana Monga presents its new Autumn/Winter 2015 collection.

Soltee AW15

Soltee AW15

Abiding by our philosophy of ‘beauty is in details’, our brand new collection has pieces flaunting detailed embroidery and pattern. Expect breezy dresses to strong silhouettes, and backless gowns to drapes this season; AW15 collection is anything but narrow. The beautiful natural floral prints are blended with Indian sensibilities, casting an exotic look to the collection.

Soltee AW15

Soltee AW15

We have played around with International watercolors from genres of rose pink, champagne, beige, subtle peaches, olives and hues of oranges. Giving shape to the outfit are fluid fabrics like net, rayon crepes and cotton. The collection is perfect amalgamation of Indo-Western classic fusions intricately embroidered with unique classic methods of asymmetric detailing on gowns, lehengas and dresses.

Costume jewellery takes a refreshing turn

Standard
Tulsi Zaveri

Tulsi Zaveri

Mumbai-based jewellery designer, Tulsi Zaveri brings forth a perfect mélange of traditional jewellery with undertones of quirk and modernity through her label, Ira. Her collection ranges from jewellery for everyday use to bridal adornments in refreshing designs.

Turquoise Kundan earrings by Ira

Turquoise Kundan earrings by Ira

The colour palette she uses is speckled—from acid bright shades of tangerine and turquoise, to warm colours like powder blue and beiges, I love all her products. Her strength is kundan jewellery and she imparts modern twist to each of her pieces. The best part about her is that—she can customise the designs according to your whims and fancies. Excited? Well, I am.

Laxmi neck piece by Ira

Laxmi neck piece by Ira

Ira has jewellery for women from all paths of life; be it a college student or a housewife, a working corporate or a bride-to-be—you will find your piece here for sure. From necklaces in lilac shades to chandbalis in hues of reds and greens, payals in beaded textures to haathphools in jewel tones of emerald and sapphire—options are galore.

Neck piece by Ira

Neck piece by Ira

Love pearls? The above neck piece has many long strands of pearls that create a light-weight yet heavy look. The fresh colours of the natural stones and the meenakari beads give the necklace a new, hot feel! The neutral colours are perfect for any of your saris, lehenga cholis or anarkalis!

Purple natural stone necklace

Purple natural stone necklace

Place your order at sales@irabytulsizaveri.com and find the products on Zaveri’s Facebook page- Ira by Tulsi Zaveri. You could also check out her products on her Instagram page- Irabytulsizaveri.

Of eccentric cuts and asymmetrical silhouettes – Alpana & Neeraj

Standard
Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj took the audience by surprise at the Wills India Fashion Week Spring/Summer 2015, with their quirky take on Japanese culture. Their collection brought forth a rather unusual amalgamation of eccentric cuts and asymmetrical silhouettes. What stood out the most was the atypical yet bold usage of the bow motif.

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

The designer duo seemed to be obsessed with everything cute or Kawaii (in the context of Japanese tradition). Their chosen colour palette was bold and vibrant—electric blue, scarlet, black with hints of beige, golden and whites. The subtle interplay of fabrics made the outfits stand out. Sheer, raw silk and satin interplayed well to surface patterns, and multiple layers of frills with undertones of minimalism and clean lines.

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Sharp linear structures are softened with bows and scallops. Harajuku-styled aprons skirts are worn over sharply-cut pants, large floral patches are sewn on to long linear dresses, and black gets special attention with obe add-ons and structured tie ups. Roundness of compositions, childlike proportions and interesting choice of colours make the collection look like little dolls’ clothes.

Power to Women at Lakmé fashion week winter/festive 2014

Standard
Druv Kapur

Druv Kapur

Druv Kapur’s label ‘DRVV’ showcased stunning garments that depicted after-effects of a battleground, wherein the fighting woman emerged stronger and bolder. The garments were primal and eclectic, which depicted resurrected soldier. Untamed and unstructured in construction with textures handcrafted from silk, it was minimal.

Druv Kapur

Druv Kapur

The colours that so rightly gave essence to the collection were wolf grays and bloody reds. These hues were hinted at in the linings or on the garment as a whole, along with fur and button detailing. The bloodthirsty compilation consisted of modest yet fierce silhouettes like plain collared shirts with dramatic back floor touching drapes paired with pants that were lined with zip detailing. Another focal point of the designs was the fur like dress, stitched on blood red cape that further went on and draped around the arms.

Pranav Mishra & Shyma Shetty

Pranav Mishra & Shyma Shetty

‘HUEMN’ by Pranav Mishra and Shyma Shetty made another powerful statement through their clothing line at the fashion week. The fascinating duo enticed the crowd and created a line that threw light on the battles of a fearless woman. They based it on the delicacy and softness of ideal woman that subtly yearned for masculine separates. The constant change was depicted in the form of androgynous styling. This transformed into a dubious contrast with the character of the fabric, the craftsmanship and the colour that balanced it out. Importance was given to both the trouser and skirt that rendered it equivocal. Restructured evergreen silhouettes were fused with futuristic materials and embellishment detailing that gave it the perfect urbanised demeanour.

Pranav Mishra & Shyma Shetty

Pranav Mishra & Shyma Shetty

Fabrics like vinyl, cotton, silk, hosiery and classic suiting fabrics took centre stage as the chaos was merged to form serene silhouettes like the pants in suit fabrics that were designed to look sporty. A mehendi green pencil skirt with a white stripe and an oversized black jumper was another ensemble that stood out. Men’s wear had plain white shirt with a leafy appliqué in the shape of an ‘O’. Also seen was a classic grey suit sporting white striped patches and ankle grazed pants. This made the collection wearable for both the sexes.

Monica Shah and Karishma Swali

Monica Shah and Karishma Swali

Proud owners of ‘JADE’, Monica Shah and Karishma Swali once again showcased a collection that one could be proud of. India’s heritage and culture were revealed in their new collection, ‘In The Temples Of Hoysala’ at the fashion week. The show opened with internationally renowned contemporary dancer Astaad Deboo who also closed the presentation with his graceful dance movements. The effort put into the collection by the pair was to draw attention to work of the artisans who, at that time had no idea how magnificently it would be admired.

Monica Shah and Karishma Swali

Monica Shah and Karishma Swali

This dynamic duo rendered the beautiful painstaking hand carvings from around the temples of Hoysala in Karnataka, South India onto fabric to give the collection the grace and beauty that the temples emit. The exquisite ensembles were further enhanced in elegance with the moulded motifs that were discovered around the temples. The duo infused colours drawn from Kathakali dancers, which were subtle muted shades like beige and gold that matched with contrasting colours like pinks, oxblood and antique gold to highlight the contours of the temples. The silhouettes were clean cut and gave prominence to the colossal grace.

Nupur Kanoi

Nupur Kanoi

Nupur Kanoi celebrated bridal wear in an unconventional style at the fashion week. Marrying traditional with contemporary touches, the line offered loose distressed knits with cable knit patterns, slipped rows in hand knits, along with wool, herringbone and argyle patterns. ‘Close Knit’ is the unconventional title given to the collection, which was divided into three distinct colours – bronze, silver and gold, along with heavy metal revealed marked fusions touch and were ideal for the bridal season.

Nupur Kanoi

Nupur Kanoi

This interesting avant-garde blend of winter wear with bridal embellishments was used creatively for sweaters, coats, blazers, kimonos, ponchos and parkas, which were merged with lehengas, gherdaars, sherwanis, kurtas and angarkhas to form a new-age offering in silks and crushed tissues. The silver segment worked around cable knit/slipped row embroidery for the crushed tissue cropped jackets, angarkhas, trousers and the bundhgala suits. An innovative silver poncho T-shirt maxi and long poncho waistcoat gave a new look to western wear.

Anushree Reddy for Lakmé Fashion Week Winter/Festive 2014

Standard
Anushree Reddy with Showstopper Nargis Fakhri

Anushree Reddy with Showstopper Nargis Fakhri

Since her debut at Lakmé Fashion Week Summer/Resort 2013, Anushree Reddy has made great strides in the fashion world. Her collection ‘Portobello – The Indian Chapter’ at the Winter/Festive fashion week had a vintage spin on age-old floral prints but with an innovative fashionable twist for her heavily embroidered garments.

Anushree Reddy

Anushree Reddy

Inspired by Portobello Road, the collection had the elements reminiscent of old British charm with an emphasis on rose and vintage newspaper prints. It was a flirty, sensuous, collection with ornate handwork that had a touch of ‘je ne sais quoi’.

Anushree Reddy

Anushree Reddy

Adding shades of dull and rose pink, sea green, beige and lavender, the rich fabrics like satin, tulle, chiffon, raw silk and organza added to the grandeur of the opulent wedding wear. Prints were part of the very glittering formal line as newsprints, flowers, flying birds and measure tape borders for dupattas and saris added an unconventional touch.

Anushree Reddy

Nargis Fakhri in Anushree Reddy

The glittering silver embellishments appeared as splashes on the lehengas, gowns, cholis and dupattas, while broad borders added grace to the creations. Beautiful Bollywood star Nargis Fakhri looked stunning in a pink printed net lehenga, silver choli and pale green tulle dupatta as she ended the show.

Anita Dongre for Lakmé Fashion Week Winter/Festive 2014

Standard
Anita Dongre with Niladri Kumar

Anita Dongre with Niladri Kumar

Inspired by the crafts and textiles of India, Anita Dongre’s ‘India Modern’ bridal collection presented by Taj Mahal Tea was a stunning offering at the fashion week.

Anita Dongre

Anita Dongre

Once again dedicating the collection to her mythical muse ‘Nayantara’ who is the ideal Jaipur bride, Anita drew ideas from the grand architecture of the Mughal era for her designs but aimed them at the 21st century bride.

Anita Dongre

Anita Dongre

To the pulsating beat of ace musician Niladri Kumar and his band, the ‘India Modern’ wedding collection started on a festive note with foot tapping melodies. A regal picture was painted by Anita as flowing bridal lehengas were given a modern twist. Subtle detailing and layering were merged cleverly with complex embellishments like gotta patti, dori and hand embroidery.

Anita Dongre

Anita Dongre

The rich fabrics brought to life the grand creations like lehengas, cropped tops, structured jackets with ornate pants and stylish couture gowns. The colour card was perfect for bridal wear as jewel tones of ruby red, peacock blue and raani pink gave the creations an opulent touch, while soft naturals like cream and flesh offered delicate options.

Anita Dongre

Anita Dongre

The first segment featuring jumpsuits, kurtas and tunics in black and white with gold work was a serene start to the show. Jumpsuits had gold edging, white or black shirt kurtas were teamed with embroidered pants. Cropped jacket had wrapped long tulip skirt, while a trio of gold, white and black embroidered kurtas made a dramatic entry.

Anita Dongre

Anita Dongre

Crinkle skirts or kurtas were striking on the ramp with just the right touch of embellishments. Long elegant front slit covers skimmed the floor with ornate trousers as the perfect complement. Lehengas were paneled and shown with simple gold cholis. Bandhani appeared for dupattas and long skirts. A sprinkling of gowns appeared in rust, beige and white with gorgeous gold work. Asymmetry appeared often for the kurtas that had cropped fronts that moved into elegant long backs.

Anita Dongre

Anita Dongre

Anita ended the show with a quartet of orange, blue, red and beige paneled lehengas with very ornate hemlines, cholis and dupattas. A trio of ecru jackets was teamed with raani pink, red and fuchsia glittering long skirts. Men’s wear had Anita’s controlled styling as a black sherwani or white one was textured cleverly.

Contrasting Colour Palettes at Lakmé Fashion Week Winter/Festive 2014

Standard
Sanjay Garg

Sanjay Garg

Textile designer Sanjay Garg’s label ‘Raw Mango’ brought forth a mesmerising collection featuring gorgeous Indian textiles. Sanjay’s revival of chanderi, mushru and craft traditions of West Bengal and Akola for his hand-woven textiles is nationally renowned.

Sanjay Garg

Sanjay Garg

Bringing back the beauty of Indian textiles, Sanjay displayed hand-woven engineered fabrics that created a panel size repeat of large curvilinear designs. Having researched and worked in various weaving clusters in India, Sanjay selected Varanasi for this intricate design and pattern. The gorgeous collections were created in the kadwa brocade technique of Varanasi, where the ornamentation of motifs use extra weft.

Sanjay Garg

Sanjay Garg

Dividing the collection in jewel tones of shocking pink, deep blue, peach, gold, white and parrot green the gorgeous gold motifs of flowers, birds and intricate traditional designs were stunning visions. Remaining loyal to a limited variety of silhouettes for the regal garments—empire line midi, simple maxi, quilted jackets and sherwanis, lean kurtas, waisted-frocks, paneled gowns, saris, lehengas, pajamas and shararas—swirled down the ramp on graceful models.

Soumitra Mondal

Soumitra Mondal

Bringing unique weaves and the juxtaposition of patterns, motifs and techniques in embroidery, Soumitra Mondal for his label ‘Marg’ presented ‘Woven Royalty’—a revival of classic Indian heritage at Lakmé Fashion Week Winter/Festive 2014.

Soumitra Mondal

Soumitra Mondal

Inspired by the attire and lifestyle of vintage royal Indian families, Soumitra had skilled craftsmen to recreate the fabrics. The jamdani, khadi, silk and cottons with a twist in the weaves, displayed a predominantly beige colour story with hints of pink and gold. Aimed at modern Indian woman who adores the aristocratic look, Soumitra offered silhouettes that ranged from A-line, knee, and ankle-length for bundgalas, tops and jackets. Saris appeared in gorgeous weaves to appease the desires of the traditional dresser.

Soumitra Mondal

Soumitra Mondal

Saris were elegantly regal with tiny butties splashed all over or with luxurious resham borders showing hints of glitter. Stylish bundgalas with parallel pants, capris with kurtas sported tonal embroidery, flared mini kurti and a reversible waistcoat were ideal for semi formal wear. Going in for more intense embellishments, Soumitra had silk motifs that cascaded down shoulders to waist for garments often teamed with wide flared pants. Mirror work gradually crept in for a long sleeved kurta and the final peach lehenga, choli and dupatta were ideal wedding attire.

Pakistani Designers, Sania Maskatiya, Riawan Beyg and Zara Shahjahan presented fashion flavours of Pakistan at Lakmé Fashion Week Winter Festive 2014

Standard

The ramp came alive with glitz and glamour of three top Pakistani designers presented by POPxo.com in association with HELLO.

Rizwan Beyg

Rizwan Beyg

‘Digitruck’ by Rizwan Beyg– Working with rural communities that empower women, Rizwan Beyg’s collection incorporated soft, feminine, romantic feel that will appeal to women who long for aesthetically designed ensembles. Inspiration for Rizwan was the very colourful truck art, which Pakistan is known for.

Rizwan Beyg

Rizwan Beyg

Using the many designs and colours of this very quirky form for a variety of garments like jackets, pants, tops, waistcoats, skirts and accessories; Rizwan offered a characteristic style statement of his country. Presenting a funky line called ‘Digitruck’, which also included jewellery, shoes and bags, the collection was a riot of colours on the ramp. Tiered miniskirts, white bustier, asymmetric dress, off-shoulder dhoti jumpsuit, orange flared top with satin printed sharara, and printed corset with blue flapper pants were all fun filled offerings for the young at heart. The empire line georgette cover off- shoulder blouse, tiered maxi drop waist printed corset dress and the will-power asymmetric gown with a long trail looked striking on the catwalk.

Sania Maskatiya

Sania Maskatiya

‘Sakura’ by Sania Maskatiya– After launching her label in 2007, Sania Maskatiya is one of the fastest selling brands in Pakistan. Short listed for the 2014 Woolmark Award, Sania’s fashion statement was a remarkable balance between elegance, aesthetics, comfort and above all practicality.

Sania Maskatiya

Sania Maskatiya

Inspired by nature and her surroundings, the collection called ‘Sakura’ was an ode to the Cherry Blossoms of Japan. The embellishments recreated Japanese flavour with landscapes and culture and had hints of treasure chest motifs. The blend of geometric embroidery and great textures added to the opulent look of the garments. Sania’s creations were divided into prét-a-porter, luxury and haute couture for women and had the interplay of colours and intricate detailing, which was the basis of her collection. The beauty of Japanese motifs came alive in the printed tunics, sheer flared beige top, one-shoulder satin tunic and pleated printed organza waistcoats. White pants were topped with a variety of cropped tops and blouses; while overlapped tunics, a gorgeous reversible asymmetric cover, angular two-tone tunic and draped printed column gown, over pants completed the look of the ensembles.

Zara Shahjahan

Zara Shahjahan

‘The City of Gardens’ by Zara Shahjahan– Zara Shahjahan’s creations were aimed at making women look beautiful and confident. Her decade old label has been a hot favourite in Pakistan and beyond. Creating a variety of categories that ranged from luxury prét to western wear and couture, Zara’s designing skills were amply evident in the extravagant detailing. The gara embroidery, Swarovski crystals and the amazing handcrafted embellishments were selectively used.

Zara Shahjahan

Zara Shahjahan

‘The City of Gardens’ was the title for Zara’s vintage collection, where old Lahore and floral vintage prints were the highlight. Merging traditional designs from her country with modern high fashion quotients, Zara offered a fusion look to the buyer. Shimmer and shine was the basis of this ethereal collection, which opened with a delicate sari followed by an organza-sequined attached cape for a feminine top. Printed, pleated maxi skirt, net covers with tilla work, sequined sheeting for skirt with lace cover and the one sleeve waistcoat-cum-cape were gorgeous in appearance. Glittering rhinestone, scalloped kurti cutwork top with printed embroidered drop waist skirt and the cut-out sleeve net kurta matched to a flowing sharara created magic on the ramp.