Tag Archives: pants

Boho Caravan by Hemant & Nandita

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Boho Caravan by Hemant & Nandita

Boho Caravan by Hemant & Nandita

How inspiring is Kashmir! Timeless architecture, undying techniques, delicate embroideries, scenic beauty and extravagant handicrafts and clothing that are all spotted under one big roof. The duo’s long visited expedition has yet again given them a chance to paint their next canvas with the flashing memories of this picturesque destination.

Boho Caravan by Hemant & Nandita

Boho Caravan by Hemant & Nandita

For Autumn/Winter 2015, Hemant & Nandita project their love for ethnicity through the art of storytelling. While folk and regional tapestry outlines this collection, Boho Caravan entwines ancestral tradition with bohemian glamour.

Boho Caravan by Hemant & Nandita

Boho Caravan by Hemant & Nandita

Clustering floral thread embroideries, swirling ethnic prints, rich earthy tones with an intricate texture treatments, this collection echoes sheer wilderness. Cozy blanket overcoats and capes are tied on to dainty maxi dresses and pants, assorted with detailing of swaying fringes and tassels.

Boho Caravan by Hemant & Nandita

Boho Caravan by Hemant & Nandita

This collection is deeply rooted into muted tones of dusky brown, smoke grey, olive green, mustard, and dull reds. With comfortable tweeds, plaids, velvet and felt highlights, Boho Caravan reflects true sense of a nomadic woman who is a free-spirited leader with effortless elegance.

The Magic of Shibori

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109°F Fusion Beats- Shibori Collection

109°F Fusion Beats- Shibori Collection

With temperature soaring high, a simple yet classy outfit that keeps the heat at bay, is something that we are always on a hunt for! 109°F, the women retail apparel brand’s Shibori Collection from their Spring/Summer’15 line, is a perfect pick for this season.

109°F Fusion Beats- Shibori Collection

109°F Fusion Beats- Shibori Collection

Fusion Beats’, Shibori Collection from their SS’15 line celebrates free spirited, bohemian women of today. It is not just fashion, but an expression of who you are. The collection also takes inspiration from the traditional Japanese Shibori blended with rhythmical baroque that presents a fresh take on this SS’15 Line. Rather than treating the fabric as a two-dimensional surface, it is given a three-dimensional form by folding, crumpling, stitching, plaiting, or plucking and twisting. The collection includes flowing sleeveless dresses with abstract prints, fun jumpsuits and kitsch tops. Bright indigos highlighted with hints of yellow form the colour palette which is perfect to bask on sunny beaches.

109°F Fusion Beats- Shibori Collection

109°F Fusion Beats- Shibori Collection

A 109° F woman has multiple facets; she is sharp yet carefree, powerful yet fun and likes to experiment with the exquisite and special characteristic of soft or blurry-edged pattern imprinted in the Shibori Collection. The effect is quite different from the sharp-edged resist obtained with stencil, paste, and wax. With Shibori, the dye works in concert with the materials, not in an effort to overcome their limitations but to allow them to attain full expression; and an element of the unexpected is always present. The rich sensuous colours of blue and white and the pliability of the material respond well to the movement and flow of the body. Keeping in mind funky, ferocious and cosmopolitan women of today, this brand has adapted the Shibori technique in crisp shorts, casual pants and free-flowing tops. The collection is priced between INR 1200-1800 and is available across 109°F outlets and online shopping partners.

Bohemian Rhapsody by Anupamaa Dayal

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Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015

Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015


Designer Anupamaa Dayal presented a collection called ‘Anywhere’ at Wills India Fashion Week Spring/Summer 2015. Her line of prêt garments reflected the essence of versatility and multi-utility.
Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015

Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015


Inspired by the spirit of a free-willed traveler, Anupamaa’s clothes brought forth a cataclysm of hippie colours, an ode to the denim den and a spectacular display of easy silhouettes.
Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015

Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015


This season, she clanged onto her signature cuts and flow—shapes were loose and baggy, and fabrics were light and sheer; her happy clothes are perfect for the forthcoming summer. Anupamaa layered gorgeous azure shades to celebrate spring/summer.
Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015

Anupamaa Dayal for Wills India Fashion Week Spring/Summer 2015


Call it Boho Chic, but her clothes had dashes of traditional notes. From Kaftans to kurta dresses, and palazzo pants to shift dresses, the range was varied. P.S- I loved the way she interplayed with Indian prints and bold metaphors.

Virtues by Viral, Ashish & Vikrant for Wills India Fashion Week Spring/Summer 2015

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Virtues by Viral, Ashish & Vikrant for Wills India Fashion Week Spring/Summer 2015

Virtues by Viral, Ashish & Vikrant for Wills India Fashion Week Spring/Summer 2015

Designers Viral, Ashish and Vikrant painted the runway red with their collection titled ‘Virtues’ at the Wills India Fashion Week Spring/Summer 2015. Filled with vigor and a whole lot of opulence, the collection focused on asymmetrical dresses, jacket kurtas and elaborate cape dresses.

Virtues by Viral, Ashish & Vikrant for Wills India Fashion Week Spring/Summer 2015

Virtues by Viral, Ashish & Vikrant for Wills India Fashion Week Spring/Summer 2015

The designers highlighted anarkali with straight pants. The menswear sported white bandhgala jacket and red dhoti pants. Other designs included Rajasthani shirts, bandhgala kameez and sleeveless kurtas with side pleats.

Virtues by Viral, Ashish & Vikrant for Wills India Fashion Week Spring/Summer 2015

Virtues by Viral, Ashish & Vikrant for Wills India Fashion Week Spring/Summer 2015

The silhouettes were flowy and the cuts were linear. Their outfits imparted a modern twist to traditional wear. The colour palette of white, red, fuchsia, and brown were weaved playfully to cull out interesting looks.

 

Of eccentric cuts and asymmetrical silhouettes – Alpana & Neeraj

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Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj took the audience by surprise at the Wills India Fashion Week Spring/Summer 2015, with their quirky take on Japanese culture. Their collection brought forth a rather unusual amalgamation of eccentric cuts and asymmetrical silhouettes. What stood out the most was the atypical yet bold usage of the bow motif.

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

The designer duo seemed to be obsessed with everything cute or Kawaii (in the context of Japanese tradition). Their chosen colour palette was bold and vibrant—electric blue, scarlet, black with hints of beige, golden and whites. The subtle interplay of fabrics made the outfits stand out. Sheer, raw silk and satin interplayed well to surface patterns, and multiple layers of frills with undertones of minimalism and clean lines.

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Alpana & Neeraj at the Wills India Fashion Week Spring/Summer 2015

Sharp linear structures are softened with bows and scallops. Harajuku-styled aprons skirts are worn over sharply-cut pants, large floral patches are sewn on to long linear dresses, and black gets special attention with obe add-ons and structured tie ups. Roundness of compositions, childlike proportions and interesting choice of colours make the collection look like little dolls’ clothes.

Sonaakshi Raaj for Lakmé Fashion Week Winter/Festive 2014

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Designer Sonaakshi Raaj with Showstopper Malaika Arora Khan at LFW WF 2014

Known as the ‘Sari-gown Specialist’, Sonaakshi Raaj presented her opulent line of Red Carpet creations called ‘Rebel with a Cause’ at the fashion week. The show stopping entry was made by Malaika Arora Khan in a post-box red lacy embroidered gown with a layered luxurious tulle flounce.

Malaika Arora Khan

Malaika Arora Khan

Her finely crafted couture gowns reflected a luxurious style with some edgy detailing. Selecting colours that will glow in the dark as the wearer glides down the celebrity carpet, Sonaakshi had oxblood red, nude, charcoal and metallics on her fabrics.

Sonaakshi Raaj

Sonaakshi Raaj

Interesting drapes were an experimental move that Sonaakshi loves to undertake. The fluid fabrics added to the charm of the flirty sensuous silhouettes of the garments and detailing was meticulously added to highlight the construction.

Sonaakshi Raaj

Sonaakshi Raaj

Making a dramatic entry was the peach sari-gown with drop-shoulder glittering blouse, followed by a halter gold mesh creation. Jumpsuits in gold had beaded tassels, while the sharply cut, white embroidered one-button jacket worn with side slit pants was ideal cocktail wear.

Sonaakshi Raaj

Sonaakshi Raaj with showstopper Malaika Arora Khan

An interesting innovation was the red pant-cum-sari, the churidar draped sari, beaded body suit teamed with a dhoti-sari, poncho over corset and draped skirt and the textured top with a blue tulip skirt. Embellished boleros added variety to the collection, Jodhpur pants had body-con blouses and the black Grecian sari gown with dazzling gold work was stunning.

Payal Singhal for Lakmé Fashion Week Winter/Festive 2014

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Payal Singhal and Showstopper Vani Kapoor

Payal Singhal and Showstopper Vani Kapoor

Payal Singhal has always researched in depth for her collections and this season, she was inspired by India’s first fashion export to the world, the ‘Chintz’ print, which came from the Coromandal Coast.

Payal Singhal

Payal Singhal

Aptly naming her collection ‘Excavations’ for the fashion week, Payal’s display of the lovely iconic Indian print was translated into deep tones of aqua, navy, teal, sienna, cranberry and coral, which she transferred onto luxurious crepes, silks and linens.

Payal Singhal

Payal Singhal

Known for her trendsetting silhouettes, Payal brought in deconstructed Indian shapes to highlight the beauty of her ensembles. Interesting entries were the racer-back choli teamed with crepe churidar-skirt and printed overlap panel, the chiffon dupatta draped sleeve for the kurta, the silk mul lehenga-sari, and navy linen embroidered ghagra-sharara pants and the silver ring embroidered cutout short dress, which offered several options to the stylish buyer.

Payal Singhal

Payal Singhal

For the showstopper Vani Kapoor, it was a cranberry red, gold and silver ring embroidered choli with matching churidar-lehenga and dupatta. Women who love practical, stylish creations will adore this collection by Payal Singhal.

Power to Women at Lakmé fashion week winter/festive 2014

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Druv Kapur

Druv Kapur

Druv Kapur’s label ‘DRVV’ showcased stunning garments that depicted after-effects of a battleground, wherein the fighting woman emerged stronger and bolder. The garments were primal and eclectic, which depicted resurrected soldier. Untamed and unstructured in construction with textures handcrafted from silk, it was minimal.

Druv Kapur

Druv Kapur

The colours that so rightly gave essence to the collection were wolf grays and bloody reds. These hues were hinted at in the linings or on the garment as a whole, along with fur and button detailing. The bloodthirsty compilation consisted of modest yet fierce silhouettes like plain collared shirts with dramatic back floor touching drapes paired with pants that were lined with zip detailing. Another focal point of the designs was the fur like dress, stitched on blood red cape that further went on and draped around the arms.

Pranav Mishra & Shyma Shetty

Pranav Mishra & Shyma Shetty

‘HUEMN’ by Pranav Mishra and Shyma Shetty made another powerful statement through their clothing line at the fashion week. The fascinating duo enticed the crowd and created a line that threw light on the battles of a fearless woman. They based it on the delicacy and softness of ideal woman that subtly yearned for masculine separates. The constant change was depicted in the form of androgynous styling. This transformed into a dubious contrast with the character of the fabric, the craftsmanship and the colour that balanced it out. Importance was given to both the trouser and skirt that rendered it equivocal. Restructured evergreen silhouettes were fused with futuristic materials and embellishment detailing that gave it the perfect urbanised demeanour.

Pranav Mishra & Shyma Shetty

Pranav Mishra & Shyma Shetty

Fabrics like vinyl, cotton, silk, hosiery and classic suiting fabrics took centre stage as the chaos was merged to form serene silhouettes like the pants in suit fabrics that were designed to look sporty. A mehendi green pencil skirt with a white stripe and an oversized black jumper was another ensemble that stood out. Men’s wear had plain white shirt with a leafy appliqué in the shape of an ‘O’. Also seen was a classic grey suit sporting white striped patches and ankle grazed pants. This made the collection wearable for both the sexes.

Monica Shah and Karishma Swali

Monica Shah and Karishma Swali

Proud owners of ‘JADE’, Monica Shah and Karishma Swali once again showcased a collection that one could be proud of. India’s heritage and culture were revealed in their new collection, ‘In The Temples Of Hoysala’ at the fashion week. The show opened with internationally renowned contemporary dancer Astaad Deboo who also closed the presentation with his graceful dance movements. The effort put into the collection by the pair was to draw attention to work of the artisans who, at that time had no idea how magnificently it would be admired.

Monica Shah and Karishma Swali

Monica Shah and Karishma Swali

This dynamic duo rendered the beautiful painstaking hand carvings from around the temples of Hoysala in Karnataka, South India onto fabric to give the collection the grace and beauty that the temples emit. The exquisite ensembles were further enhanced in elegance with the moulded motifs that were discovered around the temples. The duo infused colours drawn from Kathakali dancers, which were subtle muted shades like beige and gold that matched with contrasting colours like pinks, oxblood and antique gold to highlight the contours of the temples. The silhouettes were clean cut and gave prominence to the colossal grace.

Nupur Kanoi

Nupur Kanoi

Nupur Kanoi celebrated bridal wear in an unconventional style at the fashion week. Marrying traditional with contemporary touches, the line offered loose distressed knits with cable knit patterns, slipped rows in hand knits, along with wool, herringbone and argyle patterns. ‘Close Knit’ is the unconventional title given to the collection, which was divided into three distinct colours – bronze, silver and gold, along with heavy metal revealed marked fusions touch and were ideal for the bridal season.

Nupur Kanoi

Nupur Kanoi

This interesting avant-garde blend of winter wear with bridal embellishments was used creatively for sweaters, coats, blazers, kimonos, ponchos and parkas, which were merged with lehengas, gherdaars, sherwanis, kurtas and angarkhas to form a new-age offering in silks and crushed tissues. The silver segment worked around cable knit/slipped row embroidery for the crushed tissue cropped jackets, angarkhas, trousers and the bundhgala suits. An innovative silver poncho T-shirt maxi and long poncho waistcoat gave a new look to western wear.

Anita Dongre for Lakmé Fashion Week Winter/Festive 2014

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Anita Dongre with Niladri Kumar

Anita Dongre with Niladri Kumar

Inspired by the crafts and textiles of India, Anita Dongre’s ‘India Modern’ bridal collection presented by Taj Mahal Tea was a stunning offering at the fashion week.

Anita Dongre

Anita Dongre

Once again dedicating the collection to her mythical muse ‘Nayantara’ who is the ideal Jaipur bride, Anita drew ideas from the grand architecture of the Mughal era for her designs but aimed them at the 21st century bride.

Anita Dongre

Anita Dongre

To the pulsating beat of ace musician Niladri Kumar and his band, the ‘India Modern’ wedding collection started on a festive note with foot tapping melodies. A regal picture was painted by Anita as flowing bridal lehengas were given a modern twist. Subtle detailing and layering were merged cleverly with complex embellishments like gotta patti, dori and hand embroidery.

Anita Dongre

Anita Dongre

The rich fabrics brought to life the grand creations like lehengas, cropped tops, structured jackets with ornate pants and stylish couture gowns. The colour card was perfect for bridal wear as jewel tones of ruby red, peacock blue and raani pink gave the creations an opulent touch, while soft naturals like cream and flesh offered delicate options.

Anita Dongre

Anita Dongre

The first segment featuring jumpsuits, kurtas and tunics in black and white with gold work was a serene start to the show. Jumpsuits had gold edging, white or black shirt kurtas were teamed with embroidered pants. Cropped jacket had wrapped long tulip skirt, while a trio of gold, white and black embroidered kurtas made a dramatic entry.

Anita Dongre

Anita Dongre

Crinkle skirts or kurtas were striking on the ramp with just the right touch of embellishments. Long elegant front slit covers skimmed the floor with ornate trousers as the perfect complement. Lehengas were paneled and shown with simple gold cholis. Bandhani appeared for dupattas and long skirts. A sprinkling of gowns appeared in rust, beige and white with gorgeous gold work. Asymmetry appeared often for the kurtas that had cropped fronts that moved into elegant long backs.

Anita Dongre

Anita Dongre

Anita ended the show with a quartet of orange, blue, red and beige paneled lehengas with very ornate hemlines, cholis and dupattas. A trio of ecru jackets was teamed with raani pink, red and fuchsia glittering long skirts. Men’s wear had Anita’s controlled styling as a black sherwani or white one was textured cleverly.

Contrasting Colour Palettes at Lakmé Fashion Week Winter/Festive 2014

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Sanjay Garg

Sanjay Garg

Textile designer Sanjay Garg’s label ‘Raw Mango’ brought forth a mesmerising collection featuring gorgeous Indian textiles. Sanjay’s revival of chanderi, mushru and craft traditions of West Bengal and Akola for his hand-woven textiles is nationally renowned.

Sanjay Garg

Sanjay Garg

Bringing back the beauty of Indian textiles, Sanjay displayed hand-woven engineered fabrics that created a panel size repeat of large curvilinear designs. Having researched and worked in various weaving clusters in India, Sanjay selected Varanasi for this intricate design and pattern. The gorgeous collections were created in the kadwa brocade technique of Varanasi, where the ornamentation of motifs use extra weft.

Sanjay Garg

Sanjay Garg

Dividing the collection in jewel tones of shocking pink, deep blue, peach, gold, white and parrot green the gorgeous gold motifs of flowers, birds and intricate traditional designs were stunning visions. Remaining loyal to a limited variety of silhouettes for the regal garments—empire line midi, simple maxi, quilted jackets and sherwanis, lean kurtas, waisted-frocks, paneled gowns, saris, lehengas, pajamas and shararas—swirled down the ramp on graceful models.

Soumitra Mondal

Soumitra Mondal

Bringing unique weaves and the juxtaposition of patterns, motifs and techniques in embroidery, Soumitra Mondal for his label ‘Marg’ presented ‘Woven Royalty’—a revival of classic Indian heritage at Lakmé Fashion Week Winter/Festive 2014.

Soumitra Mondal

Soumitra Mondal

Inspired by the attire and lifestyle of vintage royal Indian families, Soumitra had skilled craftsmen to recreate the fabrics. The jamdani, khadi, silk and cottons with a twist in the weaves, displayed a predominantly beige colour story with hints of pink and gold. Aimed at modern Indian woman who adores the aristocratic look, Soumitra offered silhouettes that ranged from A-line, knee, and ankle-length for bundgalas, tops and jackets. Saris appeared in gorgeous weaves to appease the desires of the traditional dresser.

Soumitra Mondal

Soumitra Mondal

Saris were elegantly regal with tiny butties splashed all over or with luxurious resham borders showing hints of glitter. Stylish bundgalas with parallel pants, capris with kurtas sported tonal embroidery, flared mini kurti and a reversible waistcoat were ideal for semi formal wear. Going in for more intense embellishments, Soumitra had silk motifs that cascaded down shoulders to waist for garments often teamed with wide flared pants. Mirror work gradually crept in for a long sleeved kurta and the final peach lehenga, choli and dupatta were ideal wedding attire.