Tag Archives: organza

Kavita Bhartia in retrospection @ 25

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Kavita Bhartia's Autumn/Winter 2015

Kavita Bhartia’s Autumn/Winter 2015

Since the launch of her label in 1989, Kavita Bhartia retrospect’s 25 years of her journey in the Indian Fashion industry and her multi-designer store Ogaan, through her Autumn/Winter 2015 collection essentially inspired by the 18th century Tapestries from the Victoria and Albert Museum. Encompassing her chic and minimalistic silhouettes, she retains her signature style for the globetrotting woman.

Kavita Bhartia's Autumn/Winter 2015

Kavita Bhartia’s Autumn/Winter 2015

The mood board comprises of tapestries and damasks from the Victoria and Albert Museum, and 18th century inspired European floral patterns. Her silhouettes are sculpted—full circle voluminous pleated skirts with worked-on jackets, textured yarn crop tops, and draped skirts and dresses.

Kavita Bhartia's Autumn/Winter 2015

Kavita Bhartia’s Autumn/Winter 2015

The fabrics flaunt exclusively fashionable weaves propagating a novelty of untwisted threads of silk into sheer styles, exclusive prints bestowing an explicit look. And the textiles are all about sheer looks in silk, organza and tulle, with hints of printed scuba fabric, and silk crepe.

Kavita Bhartia's Autumn/Winter 2015

Kavita Bhartia’s Autumn/Winter 2015

The detailing bit celebrates indigenous Indian hand techniques blended in a contemporised styling in resham dori, florals, tapestry prints and paisleys using shaded tones. Lastly, the colour palette comprises of rouge pink, deep navy, ivory, pale blues and blacks, accented with mustard, pale green and electric blue.

Celebration of Florals and Whites

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Vasavi Shah's Spring/Summer 2015 collection

Vasavi Shah’s Spring/Summer 2015 collection

The spring-summer collection of 2015 has marked a return to basics. From highlighting uncomplicated colour schemes and providing a taste of past decades, to bringing forth femininity and exploring the classic, this collection, Flora Flora SS’15, by designer Vasavi Shah is all about celebrating newness.

Vasavi Shah's Spring/Summer 2015 collection

Vasavi Shah’s Spring/Summer 2015 collection

Florals have always been gifted with a timeless appeal, representing a perennial style that is constantly invading the fashion radar. This collection effortlessly blends two of the ruling trends for this season – florals and white.

Vasavi Shah's Spring/Summer 2015 collection

Vasavi Shah’s Spring/Summer 2015 collection

Flora Flora is bold by keeping things classy yet basic at the same time, comprising of oversized and light-weight silhouettes, unconventional fabrics, fresh colour schemes and super-clean lines.

Vasavi Shah's Spring/Summer 2015 collection

Vasavi Shah’s Spring/Summer 2015 collection

This collection mainly showcases a feminine range of ready-to-wear garments. From hand painted flowers on box pleated midi skirts to intricately embroidered cascades of flowers on white organza jackets and appliquéd gathered sheer skirts—this collection is fresh, energetic, optimistic and modern like a breath of fresh air.

Floral prints with a twist—Sneha Arora

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Sneha Arora for Wills India Fashion Week Spring/Summer 2015

Sneha Arora for Wills India Fashion Week Spring/Summer 2015

Designer, Sneha Arora showcased a beautiful line of clothes, perfect for a formal/semi-formal Spring/Summer work wardrobe. A modish and brazen alternative to a rather plain, black blazer/skirt or pant ensemble, this collection speaks volumes about her design sensibilities.

Sneha Arora for Wills India Fashion Week Spring/Summer 2015

Sneha Arora for Wills India Fashion Week Spring/Summer 2015

Her collection brings forth a stunning portrayal of androgyny. But, in the true spirit of Spring/Summer, she infused elements of femininity perfectly. Silhouettes ranged from solid linen blazers to cotton printed dresses, and airy silk dresses in linen to organza shirts.

Sneha Arora for Wills India Fashion Week Spring/Summer 2015

Sneha Arora for Wills India Fashion Week Spring/Summer 2015

The colour palette flaunted dreary creams, dirty pinks, dull mints, mellow yellows and forest greens. And the tale of prints took the collection to a whole new level; think of coke bottle with a floral stick, bulb with plants and trees with falling petals.

‘Kalahari’ by Nachiket Barve—Wills India Fashion Week Spring/Summer 2015

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Nachiket Barve for Wills India Fashion Week Spring/Summer 2015

Nachiket Barve for Wills India Fashion Week Spring/Summer 2015


‘Kalahari’ by Nachiket Barve is inspired by the austere, enormous, uninviting yet absolutely beautiful Kalahari and Namib deserts of Africa. His Spring/Summer 2015 collection at Wills India Fashion Week showcased checked fabrics of the Maasai tribe and beaded corsets of Dinka men in colour palettes replicating hues of the sand, sky and desert sun.
Nachiket Barve for Wills India Fashion Week Spring/Summer 2015

Nachiket Barve for Wills India Fashion Week Spring/Summer 2015


The line of clothes scrounged streaks of influences from Africa but not in a ‘typical’ tribal manner. In fact, the silver jewellery of the Tuareg people has been reinterpreted in frail beading; the beaded corsets of the Dinka men have been deciphered to wooden beaded embroidery on dresses and the neck pieces and checked fabrics of the Maasai also instilled stark influences on part of the collection.
Nachiket Barve for Wills India Fashion Week Spring/Summer 2015

Nachiket Barve for Wills India Fashion Week Spring/Summer 2015


The fabrics incorporated were shiny satin, jute, heavy silk crêpe, kota, tulle, chiffon, georgette, organza, chanderi, washed dupion, raw silk and tussar silk. Neutral backdrop often gave way to tonal embroidery and unusual motif placements took charge of the runway.
Nachiket Barve for Wills India Fashion Week Spring/Summer 2015

Nachiket Barve for Wills India Fashion Week Spring/Summer 2015


The silhouettes presented were front slit skirts, slashing, mid-calf length, palazzos, zippers, cutouts, safari shirts, transparency and draping.

An ode to Gulmarg Valley—by Payal Singhal

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Aditi Rao Hydari walks for Payal Singhal at Wills India Fashion Week Spring/Summer 2014

Aditi Rao Hydari walks for Payal Singhal at Wills India Fashion Week Spring/Summer 2015


‘Firdaus’ by Payal Singhal is an ode to the enchanting Gulmarg valley in Kashmir, where time seems to have stood still—where paradise is not a paradox. The designer charmed the audience at Wills India Fashion Week with her toned down, super elegant Spring/Summer 2015 collection.
Payal Singhal for Wills India Fashion Week Spring/Summer 2015

Payal Singhal for Wills India Fashion Week Spring/Summer 2015


The underlying inconsistency of freedom that the valley doesn’t really have, to the feeling of elation in being there is captivating and invigorating—exploring this juxtapose is the collection with its monochromatic colour palette of stone and black done in silk, chanderi, organza and tulle in modern interpretation of traditional Indian clothing.
Payal Singhal for Wills India Fashion Week Spring/Summer 2015

Payal Singhal for Wills India Fashion Week Spring/Summer 2015


The silhouettes brought forth were palazzos with kurtas, long pants with cholis in silk, crop tops, linear jackets, and saris sporting pine tree prints and small floral dots, and more. Bollywood diva, Aditi Rao Hydari walked as the showstopper for Payal’s show.

Shantanu and Nikhil for Lakmé Fashion Week Winter/Festive 2014

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Showstopper Jesse Randhawa with Shantanu and Nikhil

Showstopper Jesse Randhawa with Shantanu and Nikhil

The show was a grand amalgamation of fashion and art when Himalayan presented the ‘Himalayan Couture Collection’ by Shantanu and Nikhil and artwork by artist Brinda Miller at the fashion week. Super model and dancer, Jesse Randhawa floated in a white will-power textured gown with tantalizing 3D embellishments to end the superb show.

Showstopper Jesse Randhawa

Showstopper Jesse Randhawa

Four giant columns on the stage set the mood of the show and 39 beautiful creations enthralled the audience. The collection inspired by the colours and charm of the Himalayan waters, known for its rare beauty. Visualised by the majesty and serenity of the Himalayas, the free-spirited couture line had timeless beauty and elegance.

Shantanu and Nikhil

Shantanu and Nikhil

Layering was contemporary with head gears making a striking addition. Offering couture wear, the silhouettes incorporated creative construction and intriguing fabric cutouts on a colour story that had dramatic grey, white, deep red, blue and black for luxurious fabrics like chiffon, georgette, tulle and organza.

Shantanu and Nikhil

Shantanu and Nikhil

Moulded silhouettes were seen in New Age lehengas and Anarkalis, while tone-on-tone draped sari-gowns were regal in form and structure, but cocktail gowns were voluminous as they sailed down the ramp. Opening the show with a tiered tulle will-power gown with antique gold work, the display moved to dramatic creations that were just ideal for cocktail bridal wear.

Shantanu and Nikhil

Shantanu and Nikhil

Bronze beaded asymmetric jacket over ruffled ecru skirt, the sensational halter sari-gown, the grey fishtail net gown, and the navy sheath creation were sensational. Moulded and draped cleverly to the curves of the models, the textured rust choli-cum-sari creation, the lehenga with long sleeved choli and the black draped jersey choli gave new options to wedding wear.

Shantanu and Nikhil

Shantanu and Nikhil

Men’s wear had sharp distinct cuts with an interesting pairing of round skirts for sherwanis, bundgalas, kurtas with bundies, an interesting printed sherwani and a set of side-draped kurtas worn with fluid skirts, added a new dimension to men’s wear.

Anushree Reddy for Lakmé Fashion Week Winter/Festive 2014

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Anushree Reddy with Showstopper Nargis Fakhri

Anushree Reddy with Showstopper Nargis Fakhri

Since her debut at Lakmé Fashion Week Summer/Resort 2013, Anushree Reddy has made great strides in the fashion world. Her collection ‘Portobello – The Indian Chapter’ at the Winter/Festive fashion week had a vintage spin on age-old floral prints but with an innovative fashionable twist for her heavily embroidered garments.

Anushree Reddy

Anushree Reddy

Inspired by Portobello Road, the collection had the elements reminiscent of old British charm with an emphasis on rose and vintage newspaper prints. It was a flirty, sensuous, collection with ornate handwork that had a touch of ‘je ne sais quoi’.

Anushree Reddy

Anushree Reddy

Adding shades of dull and rose pink, sea green, beige and lavender, the rich fabrics like satin, tulle, chiffon, raw silk and organza added to the grandeur of the opulent wedding wear. Prints were part of the very glittering formal line as newsprints, flowers, flying birds and measure tape borders for dupattas and saris added an unconventional touch.

Anushree Reddy

Nargis Fakhri in Anushree Reddy

The glittering silver embellishments appeared as splashes on the lehengas, gowns, cholis and dupattas, while broad borders added grace to the creations. Beautiful Bollywood star Nargis Fakhri looked stunning in a pink printed net lehenga, silver choli and pale green tulle dupatta as she ended the show.

Pakistani Designers, Sania Maskatiya, Riawan Beyg and Zara Shahjahan presented fashion flavours of Pakistan at Lakmé Fashion Week Winter Festive 2014

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The ramp came alive with glitz and glamour of three top Pakistani designers presented by POPxo.com in association with HELLO.

Rizwan Beyg

Rizwan Beyg

‘Digitruck’ by Rizwan Beyg– Working with rural communities that empower women, Rizwan Beyg’s collection incorporated soft, feminine, romantic feel that will appeal to women who long for aesthetically designed ensembles. Inspiration for Rizwan was the very colourful truck art, which Pakistan is known for.

Rizwan Beyg

Rizwan Beyg

Using the many designs and colours of this very quirky form for a variety of garments like jackets, pants, tops, waistcoats, skirts and accessories; Rizwan offered a characteristic style statement of his country. Presenting a funky line called ‘Digitruck’, which also included jewellery, shoes and bags, the collection was a riot of colours on the ramp. Tiered miniskirts, white bustier, asymmetric dress, off-shoulder dhoti jumpsuit, orange flared top with satin printed sharara, and printed corset with blue flapper pants were all fun filled offerings for the young at heart. The empire line georgette cover off- shoulder blouse, tiered maxi drop waist printed corset dress and the will-power asymmetric gown with a long trail looked striking on the catwalk.

Sania Maskatiya

Sania Maskatiya

‘Sakura’ by Sania Maskatiya– After launching her label in 2007, Sania Maskatiya is one of the fastest selling brands in Pakistan. Short listed for the 2014 Woolmark Award, Sania’s fashion statement was a remarkable balance between elegance, aesthetics, comfort and above all practicality.

Sania Maskatiya

Sania Maskatiya

Inspired by nature and her surroundings, the collection called ‘Sakura’ was an ode to the Cherry Blossoms of Japan. The embellishments recreated Japanese flavour with landscapes and culture and had hints of treasure chest motifs. The blend of geometric embroidery and great textures added to the opulent look of the garments. Sania’s creations were divided into prét-a-porter, luxury and haute couture for women and had the interplay of colours and intricate detailing, which was the basis of her collection. The beauty of Japanese motifs came alive in the printed tunics, sheer flared beige top, one-shoulder satin tunic and pleated printed organza waistcoats. White pants were topped with a variety of cropped tops and blouses; while overlapped tunics, a gorgeous reversible asymmetric cover, angular two-tone tunic and draped printed column gown, over pants completed the look of the ensembles.

Zara Shahjahan

Zara Shahjahan

‘The City of Gardens’ by Zara Shahjahan– Zara Shahjahan’s creations were aimed at making women look beautiful and confident. Her decade old label has been a hot favourite in Pakistan and beyond. Creating a variety of categories that ranged from luxury prét to western wear and couture, Zara’s designing skills were amply evident in the extravagant detailing. The gara embroidery, Swarovski crystals and the amazing handcrafted embellishments were selectively used.

Zara Shahjahan

Zara Shahjahan

‘The City of Gardens’ was the title for Zara’s vintage collection, where old Lahore and floral vintage prints were the highlight. Merging traditional designs from her country with modern high fashion quotients, Zara offered a fusion look to the buyer. Shimmer and shine was the basis of this ethereal collection, which opened with a delicate sari followed by an organza-sequined attached cape for a feminine top. Printed, pleated maxi skirt, net covers with tilla work, sequined sheeting for skirt with lace cover and the one sleeve waistcoat-cum-cape were gorgeous in appearance. Glittering rhinestone, scalloped kurti cutwork top with printed embroidered drop waist skirt and the cut-out sleeve net kurta matched to a flowing sharara created magic on the ramp.