Tag Archives: desi

Desi Roots – Progressive Indian Cuisine

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Desi Roots

Desi Roots

Décor: Desi Roots, a brand new café nestled in Saket, New Delhi is one of the very few restaurants that brought back fond memories of childhood in mind, as I walked in for lunch on a balmy Sunday afternoon. The first instinct was a happy feeling—colours like warm orange, dull beige, bright turquoise, royal violet and more popped out from different corners only to make you feel like you have stepped into a cheerful space. This restaurant has taken ‘quirky’ to a whole new level; the décor proudly flaunts pieces like—a sewing machine turned into a table, almost-vintage Bajaj scooter headlights acting as lamps and more.

Desi Roots

Desi Roots

Also, the chosen interior had strikingly contrasting aesthetics; for instance, a royal chair with bright cherry colour was spotted accompanying a super quirky teapot printed chair. The bar area was mostly radiating pop-culture vibes; vintage posters with an amazing sense of humor was placed on walls facing the arena. My favourite poster was of an Indian lady, precisely from the sixties, sitting with a newspaper in her hand, clad in the most traditional way and waiting to sip some beer from a mug kept in front of her; now this is called ‘chilling like a villain’!

Nehari Kulcha a la Oudh with Salgam and black carrot achar

Nehari Kulcha a la Oudh with Salgam and black carrot achar

Food: The menu captures essences from regional kitchens across the country. This restaurant is on an expedition to revive those long lost desi elements through their food. I ordered quite a few number of dishes from the menu and absolutely traditional ones at that—but I was taken to surprise by the way good-old food was contemporized. Presentation gets full points here and the best part is that the character of the food remained unaltered. Today’s foodie looks for international gastronomical features in every dish that they dig into. Be it a simple Galouti Kebab or a Soda Shikanji—modern way of presenting mouth-watering food has become a major criteria. However, you are not allowed to compromise on the joy your taste buds used to experience when you ate the same dish in its most traditional avatar.

Desi Kurchan Tacos- Pulled Kathal

Desi Kurchan Tacos- Pulled Kathal

I started with the Kasaundi Fish Tikka with Babloo Sauce; delicious, succulent and mildly spicy, these fish cubes were an instant hit. Thereafter, I rejoiced upon some Kulle Chaat—an Old Delhi speciality made with watermelons, boiled potatoes, cucumbers, pomegranates and some secret black masala. Post this, we savoured upon some warm lamb Galawati Pate—this was my favourite starter. Super soft, almost-melting, warm kebab served in a small glass jar was definitely a first. The taste reminded me of lanes from Lucknow, where kebabs are the order of the day and the presentation was simple yet so innovative. For the main course, I started with the traditional Daal Baati Choorma with methaniya chilli salsa. This was followed by Mutton Kuttu with Malabari Poronta and Onion Pachdi—once again a delicious dish. The best part was that, this rich looking curry was not overtly oily; it had a diverse flavour thrown in by a gamut of regional spices. Finally, the last main course comprised of Ambala Cantt Mutton Curry with Tikone Parathe and Kumquat Achaar—it had the perfect desi tadka to it combined with carefully balanced spices and modern culinary practices. I loved every bit of it.

Chipotle Chicken Tikka with Avocado Raita

Chipotle Chicken Tikka with Avocado Raita

Finally, the dessert comprised of Cream Cheese Boondi Brownies and Jamaluddin Ki Kheer from Badal Beg Masjid, Old Delhi. What a delight it was. The first dessert came in a closed glass jar—soft chocolate brownie, warm and moist was blended with cream cheese and boondi; this is perhaps the best example of modern culinary concurrence. And the later made me feel like I had died and gone to dessert heaven. There couldn’t have been a better ending. So foodies and restaurant junkies please visit this place with your friends and family because the food is great, presentation even better and as they say it ‘celebration’ is their middle name!

Grasim’s menswear collection for the ‘Wedding Season’

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John Abraham in a Jute bandi by Grasim

John Abraham in a Jute bandi by Grasim

With the wedding season just around the corner, India’s homegrown and men’s lifestyle brand Grasim from Grasim Bhiwani Textiles Ltd., a subsidiary of Grasim Industries Ltd. and a part of the Aditya Birla Group, has launched their exclusive collection for the wedding season. From the traditional and classic off white to glamorous and elegant purple and metallic blue, this collection will surely add that extra charm to your colourful evenings.

John Abraham in a traditional off-white sherwani

John Abraham in a traditional off-white sherwani

Seven Wonders- This traditional off-white sherwani fabric is ideal for that perfect outfit for the groom’s best man. This basic yet statement piece will add elegance and charm to your entire look.

Ashish Chawla in a classic brown check blazer by Grasim

Ashish Chawla in a classic brown check blazer by Grasim

Classic Blazer- Get up and get going this season with this classic brown check blazer by Grasim. With the ongoing ‘trend of checks, this blazer is a mandatory staple for your wardrobe and is sure to draw everyone’s attention. Grab your pick now!

The Ancient Barbeque (aka TAB)—serving delicacies in a loving platter

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The Ancient Barbeque

The Ancient Barbeque

Situated at the heart of Noida, The Ancient Barbeque aka TAB, serves a delectable assortment of American, Mediterranean, oriental and Desi cuisine. And let me tell you one thing—if you like the idea of buffet, this is your go-to option!

The Ancient Barbeque

The Ancient Barbeque

Ambience: As we entered the restaurant on a rather balmy Sunday afternoon, I was much taken by surprise to see the bustling crowd. Birthdays were being celebrated at one corner; groups of women laughed together, while sipping onto their mocktails, youngsters savored upon a rich assortment of kebabs and skewers, and colleagues sat together extending friendships beyond workplace, dipping their fingers in rich curries with much joy.

The Ancient Barbeque

The Ancient Barbeque

Décor: The décor was a beautiful mélange of rustic and contemporary notes. The area was huge; it could probably house 100 people at one go. The tables were neatly placed in a linear order. Charcoal fired grills were mounted on each table for the starters. And one of the walls flaunted a huge map that looked ancient and worn-out – going perfectly well with the embodiment of the restaurant.

The Ancient Barbeque

The Ancient Barbeque

Food: The food was undoubtedly mouth-watering. The buffet menu was varied and brought forth a blend of Indian and international cuisines. Although, the menu is fixed, they keep bringing in daily specials to keep you interested! I relished upon the live-grill serves that also come with an assortment of sauces to suit different palettes. The murg tikka surkhlal, tawa macchi, paneer tikka Jalandari and subj malai kurkuri were notably delicious. However, I would like to make a special mention here—the mutton burrah they served is by far the best I ever had; it was soft, succulent and down-right delicious.

The Ancient Barbeque

The Ancient Barbeque

Now, they had a wide range of vegetarian and non-vegetarian salads and soups; but, like I said, I literally relished upon the starters way too much. So, I decided to move directly towards the main course section. Over there, I can promise, you will be spoilt for choice, which in turn leaves one hungry and confused. After much scrutiny and eyes rolling, I finally decided to try Hyderabadi chicken biriyani, mutton kundan kaliyan and paneer rara multani; they were truly magical. Lastly, my day was made after I tried the beetroot ka halwa—it was warm, slightly moist, dark red in colour with a sticky texture and it melted in my mouth, lovingly.

The Ancient Barbeque

The Ancient Barbeque

Verdict: I absolutely loved the food; but most importantly, the warmth and hospitality of the staff made my dining experience an interactive one. The service was prompt and they never really stop getting those starters!

Address: H- 27/1A, Sector – 63, Noida

Meal for two: Rs.1000 approx.

Masaba Gupta created fireworks on the runway

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Masaba for Wills India Fashion Week Spring/Summer 2015

Masaba for Wills India Fashion Week Spring/Summer 2015


With ‘pataka’ being her muse, queen of quirk, designer Masaba Gupta created rage at Wills India Fashion Week Spring/Summer 2015. The collection brought forth the zest and zeal of a ‘pataka’ coupled with a grand set up.
Masaba for Wills India Fashion Week Spring/Summer 2015

Masaba for Wills India Fashion Week Spring/Summer 2015


Models flaunted delicate floral prints and donned garlands made of fire crackers on their tresses. The outfits were mostly linear silhouetted; straight cut dresses flaunted earthy motifs of zodiac signs and embellishments like, splinters of diamonds.
Masaba for Wills India Fashion Week Spring/Summer 2015

Masaba for Wills India Fashion Week Spring/Summer 2015


Masaba worked with colours like, white, black and gold for her Spring/Summer collection; and, silhouettes ranged from saris to suits, and short dresses to long gowns with high slits.

Jewellery that every bride lusts for

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Dwarkadas Chandumal Jewellers

Dwarkadas Chandumal Jewellers


Dwarkadas Chandumal Jewellers, a heritage brand synonymous with grandeur, unveils its exquisite wedding collection this October for brides to be. Weddings are a special occasion that takes every human emotion on a new journey. With all the love, happiness, colours and sparkles that it brings along with it, it also brings out one’s deepest feelings and emotions, which are perfectly captured by Dwarkadas Chandumal Jewellers in its Bridal Collection.
Dwarkadas Chandumal Jewellers

Dwarkadas Chandumal Jewellers


Dwarkadas Chandumal Jewellers collection comprises of bridal sets, chandbalis, rings with a blend of gold, coloured gemstones and uncut diamonds. Their wedding collection encapsulates the feeling of love and royalty that vows to captivate your heart forever.
Dwarkadas Chandumal Jewellers

Dwarkadas Chandumal Jewellers


Available at:

Dwarkadas Chandumal Jewellers
127, Pearl Croft, Turner Road
Bandra (W),
Mumbai- 400 050

Dwarkadas Chandumal Jewellers Nx
196, Zaveri Bazar
Mumbai- 400 002

Dwarkadas Chandumal Diamonds
184/186, Zaveri Bazar,
Mumbai- 400 002

An ode to Gulmarg Valley—by Payal Singhal

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Aditi Rao Hydari walks for Payal Singhal at Wills India Fashion Week Spring/Summer 2014

Aditi Rao Hydari walks for Payal Singhal at Wills India Fashion Week Spring/Summer 2015


‘Firdaus’ by Payal Singhal is an ode to the enchanting Gulmarg valley in Kashmir, where time seems to have stood still—where paradise is not a paradox. The designer charmed the audience at Wills India Fashion Week with her toned down, super elegant Spring/Summer 2015 collection.
Payal Singhal for Wills India Fashion Week Spring/Summer 2015

Payal Singhal for Wills India Fashion Week Spring/Summer 2015


The underlying inconsistency of freedom that the valley doesn’t really have, to the feeling of elation in being there is captivating and invigorating—exploring this juxtapose is the collection with its monochromatic colour palette of stone and black done in silk, chanderi, organza and tulle in modern interpretation of traditional Indian clothing.
Payal Singhal for Wills India Fashion Week Spring/Summer 2015

Payal Singhal for Wills India Fashion Week Spring/Summer 2015


The silhouettes brought forth were palazzos with kurtas, long pants with cholis in silk, crop tops, linear jackets, and saris sporting pine tree prints and small floral dots, and more. Bollywood diva, Aditi Rao Hydari walked as the showstopper for Payal’s show.

Designer Payal Pratap celebrates prints at the Wills India Fashion Week Spring/Summer 2015

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Payal Pratap for Wills India Fashion Week Spring/Summer 2015

Payal Pratap for Wills India Fashion Week Spring/Summer 2015

Designer Payal Pratap showcased a celebration of prints at the Wills India Lifestyle Fashion Week Spring/Summer 2015. The line of clothes espoused a gorgeous amalgamation of bold colours and crafted silhouettes.

Payal Pratap for Wills India Fashion Week Spring/Summer 2015

Payal Pratap for Wills India Fashion Week Spring/Summer 2015

Her collection played around with intense rustic prints and innovative, craft-based patterns. From embroidery to embellishments, colours to textures, she nailed the show right!

Payal Pratap for Wills India Fashion Week Spring/Summer 2015

Payal Pratap for Wills India Fashion Week Spring/Summer 2015

Payal’s collection comprised of layered skirts, peasant blouses and maxi dresses in cyan, coral, berry red, mint green and white shades.

The Alchemy of Handloom by ‘MOAVI’ : An ode to India’s heritage weaves

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Maovi

Maovi

Moavi draws its roots from old Indian textiles in an attempt to reinvigorate traditional weaves and give them their much-deserved limelight in today’s world of fashion.​ The brand is working towards re-introducing weaves that are on the verge of extinction—they are incorporating Muga silk, Pat silk, Eri-silk, Tusser silk, Linen, Mercerized-cotton and real Zari, creating pure magic beyond boundaries.

Maovi

Maovi

To start with, Moavi has introduced clusters from, Assam, Rajasthan and Madhya Pradesh and they plan to cover all states eventually to create designs, which will procure holistic aesthetics of our traditional and contemporary eccentricities.

Maovi

Maovi

Having great passion for both fashion and sustainability, Kavita and Anmol ​Badsra, ​each with years of experience in design and consulting, lead Moavi. Moavi wants to be known as an organisation that uses design as a means to address the most important issues of our times by providing sustainability in life of our weavers​ and artisans.

Maovi

Maovi

Textile industry, despite being the second largest employment generator segment in our country has not been able to provide sustainable livelihood to our highly skilled handloom weavers in almost all states. We believe, the industries of fashion, textile and design offers unique effective opportunities for designers, craftsmen and consumers alike to contribute to the alleviation of poverty by being ethical about one’s fashion choices without sacrificing style.

Maovi

Maovi

About the Collection: Ekam—Ekam is literally Moavi’s first step towards envisioned future of Indian handloom sector. This collection draws inspiration from Indian mythology, ‘Ramayana’ depicting each khand/stage of the tale in every product through hand-weaving, hand-embroidery or intricate block printing techniques.

Maovi

Maovi

The color palette brings forth bright Indian hues like, haldi yellow to sindoori red, deep indigo to metal tones of gold and silver, each shade narrating a different story. We have started with hand-woven saris and dupattas and are working towards expanding the collection further to constructed blouses, jackets and kurtas, wherein planned silhouettes are simple yet feminine and perfectly suitable for work-wear, as well as light occasion wear.

Organic fashion takes centre-stage at Lakmé Fashion Week Winter/Festive 2014

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Anavila with Showsopper Konkona Sen Sharma

Anavila with Showsopper Konkona Sen Sharma

‘Mohenjo Daro’ by Anavila Sindhu Mishra– Anavila Sindhu Mishra’s collection ‘Mohenjo Daro’ took the spectators back to an era of sheer magnificence at the fashion week. She brought back the various strands of life from a beautiful bygone time. Taking direction from various objects found at the excavation such as the culture, regional artifacts and the art remains, Anavila painted a beautiful visual picture for the collection. She was also inspired by her muse Konkona Sen Sharma, who portrayed this era gracefully.

Anavila

Anavila

The major highlight of this compilation was the handiwork of treatments done on hand-woven textiles. The fabrics used were linen, cotton and silk, which were dominant at that time. Stitching techniques like extra weft weaving, block printing and ikat gave prominence to the Indus motifs. Over-dyeing and printing had also been used to create an aged, rustic look. Ajrak printing, featured at Mohenjo Daro, was an important aspect of the collection. The becoming creations had gorgeous colours like mehendi green, gold metallic sheens, off white, navy blues and rust reds.

Anavila

Anavila

Other garments that stood out were the cutout sari with the rust/red blouse and garment detailing, which included line texturing in the form of embroidery and elephant prints along with a tan-belted sari that really brought out the visual appeal of the textile. To add to the ethnicity of the entire collection the accessories were made of beaten metal, terracotta and leather.

Purvi Doshi with Showstopper Sonal Chauhan

Purvi Doshi with Showstopper Sonal Chauhan

‘Chavi’ By Purvi Doshi- Purvi Joshi showcased her creative side at the fashion week by bringing in harmony between two cultures for her collection ‘Chavi’. Inspiration was drawn from the ever-famous African Aztec prints, which are trendy all over the world. Purvi converted these prints to turn them into a desi offering of glamorous fusion wear. This change from international to hometown material was created with brilliant merging of the prints into mirror embroidery with subtlety of Kutch and Gujarat beaming through.

Purvi Doshi

Purvi Doshi

The garments looked melodious in sound hues of saffron, blue, chili red, green and white that effortlessly flowed into the silhouettes. The handwork on the garments was the reflection of a dying art of mirror work by the rural crafts-people who were struggling to keep this tradition afloat.

Purvi Doshi

Purvi Doshi

This collection had maxis, saris paired with short kurtas along with flared blouses, tie and dye skirts as well as long kurtas with flared pants. This collection had variety of detailing like pleats, layering, gather and keyholes. It was colourful and eclectic just like its mirror work. Other enchanting ensembles were the anarkalis that were rich in blue and had colourful edging details. Rajasthani bangles were also a major statement making accessory style that was adopted to complete the collection. Sonal Chauhan was the showstopper for her collection.

Sashikant Naidu and Showstopper Shreya Saran

Sashikant Naidu and Showstopper Shreya Saran

‘Separe’ by Sashikant Naidu– Sashikant Naidu brought the limelight onto 21st century women with his collection ‘Separe’, which is French for ‘Separates’ at the fashion week. The underlying idea was to create separate pieces that would look divine with already possessed items in every lady’s wardrobe.

Sashikant Naidu

Sashikant Naidu

A wide range of dresses, jackets, skirts, scarves, stoles to dupattas, lehengas, saris and blouses was the essence of the collection. The brilliance of a collection such as this would only stand out by using silks, Dupion, fletcher, ikat and khadi along with crepes. The look commenced with light, layered and textured outfits, all made in khadi with embellishments such as handmade accessories and tribal jewellery to bring out the rawness of idea.

Sashikant Naidu

Sashikant Naidu

Hues like metallic grey, flower prints, lime green, emerald green and rust reds had exquisite detailing like pom-poms and pleats. Majority of the colours of this compilation were in shades of red, green and blue dawned on silhouettes like body-fitted maxi dress, sleeveless high low cardigan, sequined edged kurtas and asymmetrical handkerchief maxi skirts. Another ensemble that stood out was the midi dress, which was layered with box pleats and had long flared sleeves. A technique of hand painting was used with only eco-friendly paints and was contemporary for the style and silhouettes of the collection. Adding just a hint of shimmer in the embroidery, Sashikant ensured that the artisans incorporated the temples of South India and embodied nature in the designs. Bollywood star Shriya Saran was in a polished emerald green blouse with a red sari along with exaggerated nose jewellery, which was a perfect ending to the radiant collection.